AJA KONA 5 - Now Shipping !

The next generation of AJA’s industry-leading KONA line is available now! Take command of the most challenging workflows with KONA 5, the lightning fast video and audio I/O card supporting the latest 12G-SDI and HDMI 2.0 video connections for workstations or Thunderbolt™ 3-connected chassis. For more information or to find an authorized AJA reseller, visit: www.aja.com/products/kona-5

Marco Setti, 15th November 2018

BorisFX Continuum, Sapphire & Mocha : the best plug-ins for visual effects, titling, video editing !

11th October 2017


New Mini Converters Available

Now available for sales the new mini converter AJA , announced at IBC !

Sales , 13th November 2015


The Evolution Series Storage. Evolving.

From portable, rugged shuttle drives and modular, interchangeable editing systems to integration with high performance RAID solutions, ev Series gear can go from on-set or in the field, to the studio and back. It's flexible, reliable and cross-functional. It's evolving storage designed exclusively for evolving creative workflows.

Join the Evolution now. And choose the solution that's right for you.


08th October 2015



AJA CION Camera Tests | #TryCION
Test shooting at the Sporting Kansas City vs. FC Dallas match. Used on tripod and CION shoulder rig with a Zacuto Z-Finder.
Codec: Apple ProRes 422 HQ 2K
FPS: 60
Gamma: Normal
Color Correction: Skin Tones
WB: 5600K
EI: 1000 (Canon 100-400mm f/4.5-5.6)
The camera struggled with the amount of light available in the stadium, which resulted in shooting 80% of the time at EI 1000. Nearly all of my footage was still very underexposed. I used a curves adjustment to raise my levels and pull up my shadows. I found that the noise introduced is very pleasing and looks organic. It looks great for a gritty soccer match. Shadows are much easier to recover than your highlights, as they are typically.
Fast lenses are a must! Rokinon Cine DS lenses make a great indy filmmaker lens set for this camera thanks to Wooden Camera Canon EF to CION Mount adapter.

Sales, 29th July 2015


LUT-box In-line Color Transform

Load a 1D LUT and 3D LUT into LUT-box to adjust the calibration, color space and look for any source signal with simultaneous outputs to HDMI and SDI monitors from a single LUT-box.

15th October 2014


IBC images reel

AJA Video Systems is proud to bring you a brand new video shot on CION in Grass Valley and Nevada City California. Shooting took place over three days during the first week of September 2014. The UltraHD 23.98 fps normal speed shots were acquired in camera as ProRes 4444; the slow motion shots were acquired as ProRes 422 with the camera operating at 59.94fps and files saved in-camera as 23.98fps.

Every shot is presented exactly as it was photographed; no exposure adjustments, color correction or image manipulation of any form took place in post-production. The studio shots were captured using three point lighting utilizing both the supplied PL lens mount as well as a third party EF lens mount. With the exception of the umbrella shot, which utilised a single 1K light, the remaining shots were captured with available light. CION's white balance values were specifically selected to match the needs of the scene and, in certain cases, auto white balance was also utilized. CION's in-camera color correction modes were also employed during the shoot. In the scenarios presented, ‘Skin Tones' and ‘Normal' settings were selected throughout the filming.

The version you are watching here is the 1080p downconversion of the UltraHD ProRes 4444 master file.

CION is shipping soon.


15th October 2014